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	<title>Learning Bhartanatyam</title>
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		<title>Learning Bhartanatyam</title>
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		<item>
		<title>Alaripu trishra, part-1</title>
		<link>http://bharatadance.wordpress.com/2008/06/20/alaripu-trishra-part-1/</link>
		<comments>http://bharatadance.wordpress.com/2008/06/20/alaripu-trishra-part-1/#comments</comments>
		<pubDate>Fri, 20 Jun 2008 06:19:29 +0000</pubDate>
		<dc:creator>mallika jayanti</dc:creator>
				<category><![CDATA[bharathanatyam]]></category>

		<guid isPermaLink="false">http://bharatadance.wordpress.com/?p=25</guid>
		<description><![CDATA[To learn a language, first one has to learn the alphabets, then learn to join them into words and then make sentences. It is the same in Bharatanatyam too. In this, different body movements, foot movements should be practiced and mastered.  For this, items like Alaripu, Jatiswara , Devaranama etc are learnt and practiced. In [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bharatadance.wordpress.com&amp;blog=2487440&amp;post=25&amp;subd=bharatadance&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>To learn a language, first one has to learn the alphabets, then learn to join them into words and then make sentences. It is the same in Bharatanatyam too.</p>
<p>In this, different body movements, foot movements should be practiced and mastered.  For this, items like Alaripu, Jatiswara , Devaranama etc are learnt and practiced.</p>
<p>In a traditional Bharatanatyam concert or margam, Alaripu comes as an invocatory item. It can be done it all Jatis namely Trishr(3), Chatusra(4) Khanda(5) Misra(7) and Sankeera(9).</p>
<p>Starting today, we will learn the Alaripu in Trishra Jati.</p>
<p> </p>
<p>The first step in this item is:</p>
<p>Stand &#8216;sama pada&#8217; with both your hands streched straight outwards. Here the sollus begin in first kala.</p>
<p> </p>
<p>Note: From part-2 of this episode, i will provide visual and audio aids.</p>
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			<media:title type="html">mallika</media:title>
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		<item>
		<title>Bhangas</title>
		<link>http://bharatadance.wordpress.com/2008/05/02/bhangas/</link>
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		<pubDate>Fri, 02 May 2008 02:30:37 +0000</pubDate>
		<dc:creator>mallika jayanti</dc:creator>
				<category><![CDATA[bharathanatyam]]></category>

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		<description><![CDATA[The Bhangas or the Body Postures Moving away from, and towards the central axis would determine all movement. There are different ways of controlling body weight.   Sama-bhanga: Samabhanga is the equal distribution of the body limbs on a central line, whether standing or sitting. When one puts both feet on the floor with weight [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bharatadance.wordpress.com&amp;blog=2487440&amp;post=11&amp;subd=bharatadance&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="text-align:justify;"><a href="http://bharatadance.files.wordpress.com/2008/05/dscf0085.jpg"><img class="alignnone size-medium wp-image-15" src="http://bharatadance.files.wordpress.com/2008/05/dscf0085.jpg?w=301&#038;h=231" alt="tribhanga" width="301" height="231" /></a><a href="http://bharatadance.files.wordpress.com/2008/05/dscf0084.jpg"><img class="alignnone size-medium wp-image-13" src="http://bharatadance.files.wordpress.com/2008/05/dscf0084.jpg?w=300&#038;h=225" alt="atibhanga" width="300" height="225" /></a><a href="http://bharatadance.files.wordpress.com/2008/05/dscf0074.jpg"><img class="alignnone size-medium wp-image-8" src="http://bharatadance.files.wordpress.com/2008/05/dscf0074.jpg?w=300&#038;h=225" alt="sama bhanga" width="300" height="225" /></a><a href="http://bharatadance.files.wordpress.com/2008/05/dscf00751.jpg"><img class="alignnone size-medium wp-image-16" src="http://bharatadance.files.wordpress.com/2008/05/dscf00751.jpg?w=300&#038;h=225" alt="Abhanga" width="300" height="225" /></a></p>
<h1 style="margin:12pt 0 3pt;"><span style="font-size:large;font-family:Arial;">The Bhangas or the Body Postures</span></h1>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-family:Arial;"><span style="font-size:small;">Moving away from, and towards the central axis would determine all movement. There are different ways of controlling body weight. </span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-size:small;"><strong><span style="font-family:Arial;">Sama-bhanga</span></strong><span style="font-family:Arial;">: </span><span style="font-family:Arial;">Samabhanga is the equal distribution of the body limbs on a central line, whether standing or sitting. </span><span style="font-family:Arial;">When one puts both feet on the floor with weight balanced on both feet equally.</span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-size:small;"><strong><span style="font-family:Arial;">Abhanga:  </span></strong><span style="font-family:Arial;">Abhanga signifies &#8220;off-center&#8221;, an iconographic term for a slightly askew standing position. </span><span style="font-family:Arial;">When the weight is more on one foot with a slight movement or deflection away from the centre.</span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-size:small;"><strong><span style="font-family:Arial;">Ati-bhanga: </span></strong><span style="font-family:Arial;">Atibhanga is the great bend with the torso diagonally inclined and the knees bent. When head, torso and limbs move in directions opposed to each other.        </span></span></p>
<p class="MsoNormal" style="margin:0 0 12pt;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><strong><span style="font-family:Arial;">Tri-bhanga: </span></strong><span style="font-family:Arial;">Tribhanga is the triple bend with one hip raised, the torso curved to the opposite side and the head tilted at an angle. </span><strong><span style="font-family:Arial;">: </span></strong><span style="font-family:Arial;">When there is an extreme deflection away from the center with a strong hip bend.</span></span></p>
<p> Though i tried, i could not keep the pics in order, pls let me know thru u r comments if u face any difficulty in understanding. Also, when you scroll on the pic it will tell you what bhanga is it.</p>
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			<media:title type="html">tribhanga</media:title>
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			<media:title type="html">atibhanga</media:title>
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			<media:title type="html">Abhanga</media:title>
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		<title>Hello world!</title>
		<link>http://bharatadance.wordpress.com/2008/01/10/hello-world/</link>
		<comments>http://bharatadance.wordpress.com/2008/01/10/hello-world/#comments</comments>
		<pubDate>Thu, 10 Jan 2008 05:52:37 +0000</pubDate>
		<dc:creator>mallika jayanti</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Hi Everyone, As Pheonix, I bounce back from dead. Ha, let me save you from my boring story and proceed towards letting you all know the purpose of this site. This site will give you all the information you might want to be a better bhartanatyam dancer. I am not talking or replacing the tested [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bharatadance.wordpress.com&amp;blog=2487440&amp;post=1&amp;subd=bharatadance&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Hi Everyone,</p>
<p>As Pheonix, I bounce back from dead. Ha, let me save you from my boring story and proceed towards letting you all know the purpose of this site. This site will give you all the information you might want to be a better bhartanatyam dancer. I am not talking or replacing the tested and proven guru shisya parampara. I strongly endorse it. What I thoroughly feel is the need for people staying abroad, or people who are fast learners, people who want a refresher or lookiing for that something more for and on bharatanatyam. Iam here to help and share. Likewise, thats what I seek. This is kind of an online teaching course. There are plenty, but this site will try help you to gain that edge over your contemporaries- reson because you took that extra pain and effort to look into this site.</p>
<p> </p>
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